Beyond the loop station.
The loop station you know — and the instrument you didn’t.
What if you could record a sound, run it through effects, re-record the result, and round after round push into soundworlds you never could have imagined? That was the dream — and one thing killed it for years: every pass stacked latency, and the bars drifted out of time. Now it works. Re-looping in perfect time — no drift, no clicks, no compromise. LastLooper is two things at once: an exceptional loop station you can play right away, and a new kind of instrument.
Loop like always — then go eight layers deep.
Four independent loop slots across two decks. Record, overdub, play — instantly familiar. But every slot holds up to eight layers: stack one, jump back, take a different path — without starting over. Navigate mid-loop, no clicks, no waiting. From classic overdub to eight independent takes — and auto-gain keeps it clean, every time.
▶ Watch it in action
Effects as instruments. Nine of them. Found nowhere else.
Not set-and-forget plugins — effects built to be played: alive, surprising, sometimes gloriously unruly. A spectral reverb that freezes time. A resonator beast that builds whole worlds. A chorus that tips into self-oscillation. A delay that never dies. From subtle shimmer to total chaos — and every one stays rock-solid through the re-loop.
▶ Hear the nine
Re-looping. With zero latency.
Run a loop through the effects, re-sample the result, feed it back in — again and again, deeper every round. For years this fell apart; the timing drifted. LastLooper holds it dead in time — no drift, no artifacts. Smash a loop into a brand-new tempo, re-loop it, and your whole rig follows. This is the heart of the instrument.
A number, not an adjective.
Every looper can record. LastLooper can record a recording of a recording — round after round — without the sound falling apart. The target is ±2 samples (0.05 ms). Below that, the first comb-filter notch sits above 11 kHz, outside the musical range. Typical offsets of 20-30 samples put the notch at 760 Hz — right in the body of the sound.
Looper timing is usually never specified at all. LastLooper can specify it, because it is measured — with tools that check themselves. The re-loop sounds like its father. That is the whole point.
Capture moments. Build whole songs.
Freeze the full state of your performance into snapshots — Moments. Drop them onto a grid, build an arrangement, trigger it live, hands-free. Your jam becomes a song.
▶ Watch the arranger
Don’t switch between moments — morph between them.
Smooth, evolving transitions from one state to the next, perfectly in time. No loop station can do this. This is where it stops being a looper and starts being your instrument.
▶ See the morph
Effects you play, not presets you forget.
Just play. LastLooper lands it for you.
No metronome, no counting bars. Hit record, play as long as you feel it, hit record again — LastLooper finds the clean bar-end and reads the tempo from your actual playing. Hands on the instrument, eyes off the screen.
Hands-free, latency-free, made for live.
Almost every control is MIDI-learnable — build your pedalboard and never look down. Run it from your phone or tablet: the STAGE view puts ARM, CLR and all four slots under your thumb. Tight, immediate, ready when the room is.
The diary
Every test, every breakthrough, every happy accident — as it happens. New video, a few words, done. In German, with subtitles.
Starting over. (ReLooper becomes LastLooper)
The name was gone. The instrument wasn’t.
First re-loop in perfect time
The moment the drift finally disappeared.
Walhalla — the beast
Pushing the FDN resonator until it sings.
Catch the moment.
LastLooper — the last looper you’ll ever need.
One e-mail when LastLooper goes on sale. Nothing else.